May 7, 2013

RuPaul talks about being outside of society and wanting to stay outside, the importance of queer history, and affective forces shaping US culture.

Totally surprising and delightful, actually.

May 4, 2013
bituon:

esamarimacha:

hello-happiness:

beautiful!

Sylvia AND Marsha :D

YES

bituon:

esamarimacha:

hello-happiness:

beautiful!

Sylvia AND Marsha :D

YES

(Source: the-chap, via tattittorykielinthegarbage)

May 2, 2013
queermuseum:

Weegee, “Girls at the Bar,” 1946.
This image was captured by photojournalist Weegee in Greenwich Village and originally published in his book The Naked City. While the Village became notorious as a lesbian gathering place by the 1920s, it is often associated with middle-class feminism and groups such as The Heterodoxy Club. This photo instead reflects a working class, possibly racially integrated space, which was less likely to be documented by mainstream journalists. 
The placement of the women’s hands is deceiving and while they are not holding hands, their body language and expressions suggests a closeness as well as a comfortability with themselves and their surroundings. While wearing pants and clothing associated with men became more acceptable for women during World War II, to go out in public in such outfits at the time was still a bold decision.
As Alan Berubé argues in his book Coming Out Under Fire, World War II played a crucial role in the creation of gay and lesbian communities, in coastal cities specifically, bringing together men and women from all over the country who were able to enact new types of relationships away from the prying eyes of their families and neighbors. This photo captures the end of this era before the postwar turn to McCarthyism and its virulent homophobia made life for the “girls at the bar” even more repressive. 
-Cookie

queermuseum:

Weegee, “Girls at the Bar,” 1946.

This image was captured by photojournalist Weegee in Greenwich Village and originally published in his book The Naked City. While the Village became notorious as a lesbian gathering place by the 1920s, it is often associated with middle-class feminism and groups such as The Heterodoxy Club. This photo instead reflects a working class, possibly racially integrated space, which was less likely to be documented by mainstream journalists. 

The placement of the women’s hands is deceiving and while they are not holding hands, their body language and expressions suggests a closeness as well as a comfortability with themselves and their surroundings. While wearing pants and clothing associated with men became more acceptable for women during World War II, to go out in public in such outfits at the time was still a bold decision.

As Alan Berubé argues in his book Coming Out Under Fire, World War II played a crucial role in the creation of gay and lesbian communities, in coastal cities specifically, bringing together men and women from all over the country who were able to enact new types of relationships away from the prying eyes of their families and neighbors. This photo captures the end of this era before the postwar turn to McCarthyism and its virulent homophobia made life for the “girls at the bar” even more repressive. 

-Cookie

April 20, 2013
Transgender Visibility Timeline

thetranssupportsystem:

Transgender Visibility Timeline….it hasn’t been that far into history that the transgender experience has been acknowledge/addressed. Something to think about.

(via fyeahqueervintage)

April 17, 2013
"Peter is a “normal” gay man, so when my behavior started to drift outside “normal,” he reprimanded me much in the same way that police officers, gym teachers or parents might have done in the ’50s (and today, to be fair). And although the ’50s were over 60 years ago, that attitude remains pervasive: Look at any on gay dating website or smartphone app and you’ll see our twisted heritage as “preferences” based on a hierarchy of who can pass as a successful straight man: “Looking for masc, musc, no femmes, white only.” Though the irony that none of us is straight does not escape me, I’d like to focus more on how regressive this is; we are literally contributing to our own oppression by upholding this bizarre heritage of misogyny created in the ’50s."

Simon Moritz: What I Learned From Gay Sex: Misogyny and Homophobia

April 5, 2013

yeesindeed:

Hidden in the Open: A Photographic Essay of Afro American Male Couples

This is soo good! Trent Kelley has compiled over 100 images revealing a long legacy of Black male couples. These are some of my faves. Check out his flickr page for more amazing images.

(via tortillero)

February 20, 2013

knowhomo:

LGBTQ* Podcasts You May Have Missed

Stuff You Missed in History Class, from How Stuff W?rks, is a wonderful source for information about LGBTQ* culture. In the last year, they did the podcast “Who Wore the Pink Triangle,” and even covered a gay man who may have been the inspiration for Indiana Jones.

Should you find yourself with time, check out their podcast on iTunes or on HowStuffWorks.com. They also have an app!

Interested in Pink Triangle History?

Want to know more?

A Survivor’s Story — Read Here

Paragraph 175 — Read Here

Pink Triangle History — Read Here

(Upsetting) Post-Camp History — Read Here

Pink Triangle Memorial — Read Here 

Theatre/Play about Pink Triangles: Bent — Read Here

Graphic Novel, including a Hitler Youth Homosexual Relationship — Read Here

Not a bad resource for resources.

January 3, 2013
Weegee and Arbus were two photographers who always succeeded in capturing such an enchanting darkness, which always disturbs and delights me.
cavetocanvas:

Weegee, Transvestite, c. 1940

Weegee and Arbus were two photographers who always succeeded in capturing such an enchanting darkness, which always disturbs and delights me.

cavetocanvas:

Weegee, Transvestite, c. 1940

December 4, 2012
queermuseum:

George Platt Lynes was a fashion and fine art photographer from the twenties up until his death in the fifties. Privately, he produced a huge catalog of male nudes and other homoerotic works that drew from the posed nature of his fashion photos and the Surrealist demimonde in which he lived during the early part of his life. At 19, Lynes dropped out of Yale and fell in love with Monroe Wheeler, who would become famous as a small press bookmaker (he founded Harrison of Paris and went on to be deeply involved with MOMA for fifty years). Lynes moved to Paris, following in Wheeler’s footsteps, and there met Gertrude Stein, Alice B. Toklas, Paul Robeson, and many other luminaries of the era. He also met Glenway Wescott, a celebrated novelist - and Wheeler’s other boyfriend. The three’s open, joyful, polyamorous relationship was public knowledge even to many of their family members at the time, and lasted for more than a decade. Like his life, much of Lynes’ homoerotic private photography presages what Mapplethorpe et al. would make public decades after his death in 1955.
— Hugh

Hugely Important

queermuseum:

George Platt Lynes was a fashion and fine art photographer from the twenties up until his death in the fifties. Privately, he produced a huge catalog of male nudes and other homoerotic works that drew from the posed nature of his fashion photos and the Surrealist demimonde in which he lived during the early part of his life. At 19, Lynes dropped out of Yale and fell in love with Monroe Wheeler, who would become famous as a small press bookmaker (he founded Harrison of Paris and went on to be deeply involved with MOMA for fifty years). Lynes moved to Paris, following in Wheeler’s footsteps, and there met Gertrude Stein, Alice B. Toklas, Paul Robeson, and many other luminaries of the era. He also met Glenway Wescott, a celebrated novelist - and Wheeler’s other boyfriend. The three’s open, joyful, polyamorous relationship was public knowledge even to many of their family members at the time, and lasted for more than a decade. Like his life, much of Lynes’ homoerotic private photography presages what Mapplethorpe et al. would make public decades after his death in 1955.

— Hugh

Hugely Important

November 23, 2012

This man is everything.

originalplumbing:

Lou Sullivan on Honesty and AIDS: 1988-1990 

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